about Voice Alpha
A companion site to Whale Sound, Voice Alpha is a repository for thoughts, theories, suggestions, likes and dislikes and anything else related to the art and science of reading poetry aloud for an audience. If you would like to guest-blog at Voice Alpha, please email nic_sebastian at hotmail dot com.‘Dear Voice Alpha’ – poetry reading advice column
If you're trying to improve your poetry reading skills and would like some friendly critique to help you on your way, click here, where you will also find current examples of Voice Alpha critiques.Contributors
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Category Archives: mechanics and logistics
using text vs voice in videopoems
[cross-posted from Very Like A Whale because I think it's relevant to the Voice Alpha ethos] I wrote this a few weeks ago with the first text-only videopoem I made: I remembered that in Tom Konyves’ videopoetry manifesto, he categorized videopoems … Continue reading
poetry readings & copyright – best practices
Thanks to Dave Bonta for sharing this link. Much of interest, and this bit in particular for those who like to or are thinking of reading other people’s poems (definitely a best practice in itself!) at poetry readings: 7. LITERARY … Continue reading
Recording Technology Advice Needed for the Not-Quite-Neophyte
Once upon a time, I could work with all types of technology, both old and new. I had a Sony Walkman, but I also knew how to thread the seemingly ancient reel-to-reel tape player in the college radio studio. In … Continue reading
Posted in mechanics and logistics
11 Comments
Make Your Poetry Reading More Like a Festive Party than a Forced Eating of Rutabagas
I must be honest: I never thought much about what to bring with me to a poetry reading until last April. Don’t get me wrong—I did the obvious things. I checked to make sure I had enough poems to read … Continue reading
Posted in live performance, mechanics and logistics
6 Comments
10 Things I Learned About Giving Poetry Readings
Some excellent advice from Susan Rich at The Alchemist’s Kitchen. Thanks, Susan! 1. People like to laugh. I wanted my friends and family to have a good time. Since many of my poems deal with heartbreak and aging, this is … Continue reading
Serendipity–Report on a Reading
This past Sunday three of us with poetry chapbooks read to a warm, receptive audience in the community room of the public library. Here are some things that made the reading work very well: –A microphone –Refreshments: cookies, fruit, pastries, … Continue reading
Live poetry news from Edinburgh
UK poet Rob Mackenzie wonders whether it’s time to wind down the successful poetry reading series he started in Edinburgh three years ago. Logistics considerations are part of the equation, and Rob compares Edinburgh to London in this regard. What … Continue reading
learning from open mics
I didn’t start reading my poems in front of other people until June 2009 when some of my work had been selected for a local reading series. I had no idea what I was doing, except that I was terrified. … Continue reading
Bringing the text to a poetry reading
In a recent post, Nic asked whether a poetry reader should make eye contact with the audience. One way to complicate this issue is to give audience members the text of the poems and let them read along as they … Continue reading
On looking (or not) at your audience when you read poetry
Poets looking for guidance on how to best conduct their readings tend to rely on suggestions made for public speakers. Understandably, since there is much overlap, and there are so many resources for public speakers on the internet. Are they … Continue reading