Voice Alpha

about reading poetry aloud for an audience


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‘We shape our self’

Interesting recitation here from UK poet David Whyte. The poet has memorized the poem, but not to full fluency and accuracy. He flubs the wording a few times, and uses the technique of repetition to help him over thin gaps. It’s only when you look at the text that you can see where the repetition is unintended. In the video, it sounds as if the repetitions might be part of the piece.

Working Together by David Whyte (poem text)


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‘when memory shakes open its prize’

Speaking of timbre, here’s a nice, warm, dense voice:

Song Beside the Barn Wall by Alice Templeton (1 min 37 secs)
poem text



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‘in sleep I drew a sausage’

Not fair to say it, since voice timbre is not really under anyone’s control, but I found this one pretty painful listening, recording quality aside.

His Carpets Flowered by Lorine Niedecker (2 min 10 secs)

poem text



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‘I am a sound geek, plain and simple’

We are very pleased to feature the following guest post by K.R. Copeland, a Pushcart nominated poet, editor and freelance creative. She describes herself as a left of irreverent fan of humor, horror, snark, pop culture, art, nature and all things audible. She even adores her boyfriend’s snoring. She recently established the Facebook group Audio Files as a venue for sharing noteworthy sounds and audio projects.

I am a sound geek, plain and simple. Always have been, always will be. Ever since receiving my first Fisher-Price Child’s Phonograph, back in the 1970’s, I’ve been a hopeless audiophile.
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I fondly recall listening to children’s songs and nursery rhymes for hours on end, memorizing, imitating, and wailing away, much to my parents’ chagrin. When I was about 12, I upgraded to a cabinet stereo/phonograph, not entirely unlike this one:
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Music was an integral part of my existence; an everyday escape, a panacea. I would listen to the lyrics and the voices and my imagination would run wild. Something inside me ignited. And then, I discovered poetry. At that time, there was not much in the way of spoken word recordings, or, at least not to my knowledge, but I quickly recognized the familiar cadence when reading the rhymesters aloud, and again, I was in love. Smitten with the musicality of language!

The next seemingly obvious step in my sound-driven evolution came by way of:
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Yes! Now the sophomoric poetry and lyrics I was beginning to write could be endured by all (within earshot). I mean, my parents did not have to be in the same room, or even on the same level of the house, to hear what I had to offer, thanks to the amplification of good old Mr. Microphone!

I studied poetry and literature throughout my school career, and continued writing and honing my craft. My first publication credit came by way of a local newspaper, which published a little Valentine’s ditty I’d written. I was 22. Since then I have published umpteen poems in text form, and produced a couple chapbooks to boot.

More recently I decided to delve into the great wide world of audio poetry, which the internet makes available in grandiose doses. I was incredibly excited to see/hear what people were doing with sound poetry, especially when coupled with music. Again, I branched out. Purchased a Zoom H1 handheld recorder, as recommended by an audio specialist:
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This lower-end starter microphone is compact, easy to use and allows for storage and upload of both MP3 and WAV files. The sound quality and noise reduction, in addition to simplicity of use make this a great tool for neophytes like me. Still, I needed more boost. A friend suggested Audacity, a free online, professional sound editing system.
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The Audacity program allows for upload of multiple tracks, which you can edit, amplify, mix, match and remaster, all from the comfort of your own living quarters. With the help of these two products, I have successfully created multiple musical poetry tracks. Here is an example (using free audio hosting at SoundCloud):

As I broaden my horizons, I find myself wanting to know more about the ins-and-outs of quality recording. This brings us to present day. I have created an audio group on Facebook called, Audio Files, a friendly, supportive community for others like me, to share their recorded work, the works of others, their trials and errors, and any and all information on the subject of sound. All are welcome to come hear, share and be merry, one audio file at a time.


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‘And each and every vapor spent’

Like the poem, but not at all sure what the reader’s intent is with this almost hesitant and super-enunciated reading style, or if there is a particular background to it, but don’t find it particularly enticing or convincing.

Variations on Some of Dante’s Last Lines by Norma Cole (poem text)


(1 min 30 secs)

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