Missed this anti-reading/pro-recitation post when it came out in April at the Contemporary Poetry Review:
…reading your verse has an impact in terms of the performance of your poems before a live audience, and that impact is negative. The poet reciting his verse can make use of the actor’s craft—not least of which are gesture and expressiveness—to perform the poem dramatically. By comparison, the poet reading his verse is a humble creature in front of an audience: eyes down on the page, body behind a lectern, mouth in front of a microphone. The poet-reader presents his audience with nothing in terms of his presence (or “visual impact”) but only as a disembodied voice to be heard—much like a school teacher’s lecture. Therein lies a fatal flaw: the audience has come, not to be taught, but entertained. This kind of “poetry reading” is thus an absurdity: the non-performance of verse by a poet in front of a live audience. The poet who can only read his work should, ipso facto, not be in front of an audience, ever.
This week, the folks at Commercial Poetry take up the refrain in this post.